A room of your own
The inbox is where a support team lives for eight hours a day — so we built a library of 200 rooms, 8 materials and 4 desks, a mixer for making your own, and a Brand Studio that designs rooms from your logo and website.
There's a category of software nobody personalizes: the tools you use for work. Your code editor has ten thousand themes. Your terminal has a font you chose and defend. Your phone's home screen is arranged to the pixel. And then there's the support inbox — the screen a support agent looks at for eight hours a day, five days a week — which ships in one color, for everyone, forever.
We think that's backwards. The more hours you spend inside a tool, the more it should feel like yours. So we built the Library of Appearances: per-agent personalization for the Iris inbox, deep enough to matter, templated enough that nobody needs design skill to use it.
Why bother, in a work tool
Three honest reasons, none of them "delight."
Ownership. A tool that looks like you chose it gets treated like you chose it. Agents take better care of a queue that feels like their desk than one that feels like a rented cubicle.
Orientation. If you work across several workspaces — an agency running support for five clients, say — a distinct room per workspace means you know whose queue you're in from the wall color, before you've read a word. That's not decoration; that's one fewer mis-sent reply.
Comfort. The person clearing tickets at 2 a.m. and the person doing morning triage in a sunlit office should not be forced into the same palette. Appearance in Iris is per-agent — your room is yours alone, your teammates never see it, and it follows you to any device you sign in from.
Two libraries, twenty shelves
The heart of it is a curated library: 100 dark rooms and 100 light rooms, organized into twenty themed shelves — Night skies, Gemstones, After hours, Machines, World nights, Wild weather, Papers, Soft pastels, Gardens, Sweets, Early mornings, Coast, Fabric & stone, and more. Rooms have names and one-line moods: Void — nothing but the work. Sapphire — deep blue, cut sharp. Citrine — lemon light, kept.
Two details make browsing 200 of anything workable. Every card in the picker is a live miniature inbox rendered in that room's real palette — you're not squinting at a color dot, you're looking at a tiny version of your actual screen. And the search box spans both libraries, matching names, moods and shelf names — type "rain" or "paper" or "neon" and rooms surface from either side of the dark/light divide.
The axes compose
A room is only the color. Three more axes stack on top, and they multiply rather than add:
- Materials — eight form languages that change how the interface is built, not what color it is: Soft (the quiet original), Sharp, Round, Glass (frosted translucency), Ink (print rules, no shadows), Neon (the accent glows), Terminal (monospace console), Cloud (airy spacing).
- Desks — four desktop layouts: Classic (three panes), Focus (hides the contact panel), Broadsheet (a wide list for triage days), Stage (a centered reading column). Phones keep the stacked layout.
- Comfort — Space (Cozy or Compact) and Reading (Regular or Large), with a live sample row in the picker so you see the difference before committing.
The same Sapphire room under Glass and under Ink are two different interfaces. Rooms × materials × desks work out to hundreds of distinct combinations — all templated, all derived by the same engine, so every combination stays legible. There are no sliders to get lost in, and Reset to default is always one click.
Mix your own
When the library doesn't have your room, make it. The Custom tab asks for exactly three things: a dark or light family, and two colors — Walls and Accent. A color engine derives everything else: text contrast, borders, message bubbles, shadows. You cannot build an unreadable room, because readability isn't one of your inputs — it's computed.
There's also a Shuffle button, which rolls tasteful random combinations through the same engine. It's more useful than it sounds: most people don't know what they want until a good roll lands.
Brand Studio: rooms designed for your brand
The closer, for owners and admins: "Design from my brand." Iris reads two things you've already given it — the logo you uploaded, and your public website. From the logo it extracts a palette; from the site it reads the title, description, tone, colors and fonts. Then it returns three room candidates designed for your brand, with names in your brand's voice — a serif-heavy editorial site tends to come back wearing Ink; a developer tool leans Terminal. Tap one to wear it.
Workspaces with AI entitlement get candidates designed by the AI; everyone gets engine-derived ones — the button always works. And the same brand facts now dress the front door: the login page wears your workspace's logo and name for returning teammates, with a quiet "powered by Iris" caption. If you've read our whitelabel page you know the principle — your customers should only ever see you. This extends it inward: your team mostly sees you too.
The honest footnotes
Appearance is purely cosmetic — no setting here changes how conversations route, what the AI answers, or what your customers see in the widget. It's per-agent and synced through your profile, so a shared workspace never argues about dark mode. And everything composes with everything: the room you pick today, the material you try tomorrow, the desk you settle on next week.
Eight hours a day deserves a room of your own. The full tour is on the Make It Yours page — or just open the picker and start walking the shelves.
Put this playbook to work.
Create a workspace, paste one snippet, publish a few articles. Free to start — live before your coffee cools.